Monday, May 6, 2013

Maniac (2012, Franck Khalfoun)




Bill Lustig's original serial killer examination piece, "Maniac" (1980), is one of my favorite slasher films of all time. Violent, misogynistic, gory and just flat-out sleazy as all hell. It was ruthlessly attacked by ignorant, pansie-ass critics and feminist groups whose panties were incessantly knotted over the film's depictions of whore-stalking/mutilating, as well as the theatrical poster and accompanying tagline. It's just a kick-ass flick that's got a great history of controversy attached to it - not to mention dishing out some great gore effects, a great performance by Joe Spinell, filthy look and feel and just a wonderfully straight-forward approach to delineating on a serial killer's day-to-day, night-to-night compulsory murder habits...

And, of course, it's been remade. Right off the bat, the whole Elijah Wood thing had me a bit dubious, as well as it having Alexandre Aja's name on it as a writer/producer... But, as one would expect, I had to see it just to know how pissed off I can truly get from a film. What were my thoughts? Meh...

Wood plays Frank Zito - the owner of a mannequin restoration shop who moonlights as a spastic spree killer. Like the original, he's got mommy issues up to his eyeballs and has a 'thing' for hacking off women's scalps and tacking them to his precious mannequins. They carried over the whole concept of him meeting and becoming obsessed with an artsy, foreign photographer.

Honestly, I wasn't expecting much of anything from this 'retelling' and I really didn't get much of anything out of it. However, it IS somewhat interesting how they went about filming the majority of it from the killer's point-of-view. At certain moments - usually during a murder - he 'leaves his body', so to speak, and we see him and the victim together in the frame as he brutalizes her. This is an alright idea, but I thought it kinda left the movie limited on what it could pull off in terms of suspense. Still, it works fine at a few different points, but overall I felt it wear thin and kinda get in the way as the film went on.

As far as performances - particularly, Elijah Wood - he's decent in this if you just think of it as a completely stand-alone film without any ties to the 1980 flick. He is nowhere near as threatening and powerful looking as Spinell, but, of course, you don't see a whole lot of him aside from mirror reflections and the intermittent non-POV scenes, which is probably for the best considering Wood's physical presence really isn't teeming with menace. That said, he's certainly not awful as a more 'twinkish' type of schizophrenic.

The kill scenes also aren't on par with the original - lacking the cruelty and overall goriness of the original film, aside from a specific scene in which Frank tears the scalp from the skull of a hogtied older woman. That moment was nice and mean and fairly realistic looking.

To sum it up, "Maniac '12" is a pretty ineffective remake, considering it made huge attempts to showcase some potentially innovative tactics. If I were to judge it on it's own merits - omitting the "remake" stigma - I would say that "Maniac" is just alright. Not the worst thing I've ever seen, but far from the perverse, gritty, sleazy, mean-spirited Lustig flick.

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